I read in a short interview recently where Chris Martin remarked that: "Everyone's sick of Coldplay. Even we're sick of Coldplay." I think that it was probably a quote that was taken out of context, but regardless, it seems like they're going to be heading back to the studio after the current tour to work on their next album. Bravo!
I think that Coldplay makes magnificent music (my favorite is
Clocks). They're so good, in fact, they seem almost over-exposed, to be honest. Most haters eagerly disparage them as being banal for being so popular -- this is often a fallback position that haters take as if disparaging a popular band, somehow, imbues them with with a discerning bohemian sophistication in their musical taste – and to some extent, these poor misguided souls were just, well, misguided. (However, these are probably the same guys who crank the latest tunes from "Now That's What I Call Music!" series in their car audio in the same line of misguided logic.)
Well, any doubts I might personally have had as to how GOOD Coldplay might really be was totally blown away on Wednesday night when I
unwittingly* attended their final concert in their current tour in Toronto, 22 March 2006.
*Yes, unwittingly, as my client team's executive decided to surprise our team with a private suite in the Air Canada Stadium and premium seats to the concert, and I only realized the nature of this 'surprise' the client has been hinting at all day (with this certain mischievious twinkle in his eyes) just as I was being led toward a huge crowd outside the stadium... but that's another long story.
On to the concert.

How good is Coldplay? They have so many #1 hits that they can keep the entire audience on their feet, singing along to every single song for the entire two hours of the show. I witnessed countless girls swaying in enraptured pose (closed eyes, face toward the heavens, clasped hands in a prayer pose, obviously communing privately with Chris Martin the entire time), middle-aged guys in faded Pink Floyd concert tees tearing up with the band on their own air guitars, I’m-too-tough-for-this-weepy-crap dudes in frat duds singing along in falsetto to the lyric to
Fix You… in other words, everyone was having a good time. Of course, the Coldplay magic simply would not have been possible without the help from section 109, row 12, seat 15; thank goodness I remembered to bring my air drum set.

Every concert for big-name bands always have two elements that sometimes distract from the main venue: digressing into some tribute songs to the musical icon (in this case, ‘
till Kingdome Come for Johnny Cash) and a fake ending -- followed by ten minutes of the band’s name being chanted with religious fervor, then the band reappearing triumphantly like the marines to close the concert with a bang. In both accounts, Coldplay hit it out of the park. The tribute part, no doubt, buoyed by the recent commercial success of Walk the Line (kick-ass movie, IMO) –Johnny Cash tribute is a national pastime these days. Bands usually play some weak songs when they come back after that fake exit, but Coldplay went out with six-guns blazin,’ the chorus of
Yellow and
Speed of Sound still echoing in the stadium as the lights turned up for the audience to exit. Coldplay is
good.

Finally, every concert seems to have another element: some jackass wearing an oversized jacket, standing squarely in the field of vision between you and the band, not rockin’ away like others in the audience, not taking the cues to take a seat when the band hits the slow songs (read: “not-so-popular” filler songs), but just standing there stiffly the entire time. Please, do not be this guy. (Note: If you happened to be the guy holding a ticket for section 109, row 11, seat 16, dude, you paid an awful lot of money to just stand there

.)
Almost without exception – well, there are some exceptions like Hoobastank and Limp Bizkit (yes, I’m old) – all bands are much better in concert and I’d not hesitate to catch a Coldplay show again. Listening to their albums again after the show, the album recordings sound just way too smoothly polished and delicately produced, compared to the animated energy of their show. (Just imagine listening to the opening chords of Politik banging it out on the piano in the backdrop of frenzied stage lighting driving and ten thousand fans screaming.) Fortunately for me, I’d never be able to listen to a Coldplay tune again without being immediately transported back into the concert in my mind; I just hope that the dude in section 109, row 11, seat 16 does not show up.